{"id":21325,"date":"2025-03-18T15:27:01","date_gmt":"2025-03-18T18:27:01","guid":{"rendered":"https:\/\/blogfca.pucminas.br\/colab\/?p=21325"},"modified":"2025-03-19T14:27:20","modified_gmt":"2025-03-19T17:27:20","slug":"lady-gaga-lanca-album-pseudodark","status":"publish","type":"post","link":"https:\/\/blogfca.pucminas.br\/colab\/lady-gaga-lanca-album-pseudodark\/","title":{"rendered":"Lady Gaga lan\u00e7a \u00e1lbum pseudodark\u00a0\u00a0"},"content":{"rendered":"\n

<\/p>\n\n\n\n

\u201cMayhem\u201d<\/em><\/a>, palavra que d\u00e1 nome ao novo \u00e1lbum da cantora Lady Gaga, pode ser traduzida como \u201ccaos\u201d, termo que j\u00e1 indica o sentimento dos f\u00e3s e da cr\u00edtica em rela\u00e7\u00e3o ao trabalho que prometia resgatar a sonoridade e est\u00e9tica dark pop<\/em> do in\u00edcio de sua carreira, mas, infelizmente, decepcionou. No geral, Mayhem<\/em> n\u00e3o \u00e9 nem t\u00e3o hyper<\/em>, nem t\u00e3o dark. <\/em>A quebra de expectativa deixou um gosto amargo na boca de quem esperava uma retomada radical da Mother Monster <\/em>(como \u00e9 chamada por seus f\u00e3s). <\/p>\n\n\n\n

Diferentemente de seus dois primeiros \u00e1lbuns (The Fame<\/em><\/a> e <\/em>The Fame Monster<\/em><\/a>), no trabalho atual Gaga apenas flerta com esse tipo de sonoridade \u2013 especialmente nos leads singles \u201c<\/em>Disease<\/em><\/a>\u201d<\/em> e \u201c<\/em>Abracadabra<\/em><\/a>\u201d, <\/em>que s\u00e3o as faixas mais dan\u00e7antes do disco.  <\/p>\n\n\n\n

\"\"<\/figure>
\n

Ainda assim, \u00e9 importante ressaltar a pot\u00eancia das faixas \u201c<\/em>Garden of Eden<\/em><\/a>\u201d <\/em>e \u201c<\/em>Perfect Celebrity<\/em><\/a>\u201d<\/em>, que s\u00e3o apostas de uma verdadeira rockstar <\/em>que ambiciona o topo das paradas musicais e das pistas de dan\u00e7a ao redor do mundo. \u00a0<\/p>\n<\/div><\/div>\n\n\n\n

Mais adiante no \u00e1lbum, <\/em>Vanish Into You<\/em><\/a> <\/em>tamb\u00e9m mostra um lado dan\u00e7ante e nost\u00e1lgico da cantora. A faixa \u00e9 uma das principais aposta dos f\u00e3s para se tornar um hit.<\/em> Killah<\/em><\/a> tem aspectos que remetem a David Bowie e Prince, letra cativante, e \u00e9 a melhor e mais original m\u00fasica do \u00e1lbum. Zombieboy<\/em><\/a> <\/em>parece ser ainda mais nost\u00e1lgica que Vanish Into You.<\/em> LoveDrug<\/em><\/a> poderia facilmente ser descartada, pois parece n\u00e3o conversar com o restante das faixas. Sem exageros, <\/em>How Bad Do U Want Me<\/em><\/a> parece ser uma faixa b\u00f4nus do <\/em>Midnights<\/em><\/a>, de Taylor Swift – que ganhou \u00c1lbum do Ano no Grammy<\/em> de 2023. <\/em>Don\u2019t Call Tonight<\/em><\/a> e Shadow Of A Man<\/em><\/a> <\/em>ser\u00e3o \u00f3timas faixas de abertura de pista de dan\u00e7a. Com letras gen\u00e9ricas e de f\u00e1cil identifica\u00e7\u00e3o, essa sequ\u00eancia ajuda a rechear o Mayhem<\/em> com bons momentos e produ\u00e7\u00f5es interessantes. <\/p>\n\n\n\n

 A pol\u00eamica The Beast<\/em><\/a> <\/em>foi a que pareceu menos ter agradado os f\u00e3s m\u00eddias sociais: Com uma melodia singular e diferente do pop gen\u00e9rico que estamos acostumados a ouvir de grandes divas pops da atualidade, \u00e9 compreens\u00edvel que algumas pessoas tor\u00e7am o nariz na hora de ouvir essa m\u00fasica. <\/em>Blade of Grass<\/em><\/a> <\/em>\u00e9 uma faixa que <\/em>serve para preceder a incr\u00edvel e premiad\u00edssima balada <\/em>Die With A Smile<\/em><\/a> –<\/em> parceria de Gaga e<\/em> Bruno Mars<\/em>. A can\u00e7\u00e3o, que ganhou o Grammy<\/em> de Melhor Performance de Pop em Duo ou Grupo, tamb\u00e9m foi uma das 10 m\u00fasicas mais ouvidas no Spotify em 2024 .<\/a> Sem d\u00favida, o reconhecimento \u00e9 merecido, mas \u00e9 indubit\u00e1vel que a can\u00e7\u00e3o parece ter sido feita justamente para hitar<\/em> e <\/em>emocionar em formaturas, casamentos e festas de debutantes \u2013 uma esp\u00e9cie de Viva La Vida <\/em>do Coldplay. <\/em> <\/p>\n\n\n\n

\"\"
Lady Gaga em foto de divulga\u00e7\u00e3o do \u00e1lbum \/\/ Foto: rede social da artista <\/figcaption><\/figure>\n\n\n\n

Cr\u00edticas de sites especializados indicam boa performance <\/h2>\n\n\n\n

A Pickfork<\/em><\/a> deu 8\/10 para o Mayhem<\/em>, enquanto o Metacritic<\/em><\/a> deu 79\/100. Caio Coletti, do Omelete<\/a>, atribuiu 4\/5 e Carol Prado do G1<\/a> avaliou o disco com 7\/10. Essas notas traduzem a recep\u00e7\u00e3o do p\u00fablico para o novo trabalho da artista que pousa no Brasil em maio para uma apresenta\u00e7\u00e3o em Copacabana. Se, por um lado, os Little Monsters ficaram decepcionados com a falta de uma sonoridade mais sombria, por outro, os admiradores da cantora est\u00e3o satisfeitos com mais um trabalho de qualidade da artista.  <\/p>\n\n\n\n

No dia 3 de maio, Lady Gaga faz apresenta\u00e7\u00e3o \u00fanica no Brasil, na praia de Copacabana. O show \u00e9 gratuito e ter\u00e1 o mesmo formato do show de Madonna do ano passado.  <\/p>\n\n\n\n

Por aqui, encerro a resenha dizendo que curti menos do que gostaria na primeira audi\u00e7\u00e3o – mas \u00e9 dif\u00edcil cativar-se na primeira vez. Acredito que esse trabalho vai crescer nas minhas escolhas musicais e, em maio, vou cantar palavra por palavra nas areias de Copacabana. Nota 8\/10.  <\/p>\n\n\n\n

Leia tamb\u00e9m: Por que Taylor Swift \u00e9 t\u00e3o popular?<\/a><\/p><\/blockquote><\/figure>\n","protected":false},"excerpt":{"rendered":"

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