{"id":4939,"date":"2022-12-08T18:18:26","date_gmt":"2022-12-08T21:18:26","guid":{"rendered":"https:\/\/blogfca.pucminas.br\/ccm\/?p=4939"},"modified":"2023-04-04T16:30:55","modified_gmt":"2023-04-04T19:30:55","slug":"critica-stalker","status":"publish","type":"post","link":"https:\/\/blogfca.pucminas.br\/ccm\/critica-stalker\/","title":{"rendered":"Cr\u00edtica filme Stalker: Tarkovsky e sua Linguagem Cinematogr\u00e1fica"},"content":{"rendered":"\n<p>Por Alysson Mussolin<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"273\" src=\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2022\/12\/fZv.jpeg\" alt=\"\" class=\"wp-image-4940\" srcset=\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2022\/12\/fZv.jpeg 512w, https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2022\/12\/fZv-300x160.jpeg 300w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-justify\">Lan\u00e7ado em 1979, Stalker, inspirado no livro Roadside Picnic, apresenta-nos a um futuro \u201cp\u00f3s-apocal\u00edptico\u201d, ambientado em uma cidade pequena aparentemente paralisada no tempo em termos de economia, natureza, sa\u00fade e espiritualidade. H\u00e1 algumas d\u00e9cadas, um meteorito havia atingido um local pr\u00f3ximo \u00e0 cidade. Tropas militares foram enviadas para investigar, por\u00e9m ningu\u00e9m voltou de l\u00e1. Ent\u00e3o, o governo cercou o local, que ficou conhecido como \u201cA Zona\u201d. A Zona \u00e9 um local perigoso, onde coisas estranhas acontecem.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">Dentro da Zona, existe um local chamado \u201cA Sala\u201d, onde, segundo as lendas, os desejos mais profundos dos seres humanos podem ser realizados. Para chegar at\u00e9 l\u00e1, existem os chamados \u201cStalkers\u201d, mercen\u00e1rios contratados para levarem seus clientes at\u00e9 \u00e0 Sala em seguran\u00e7a.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">O protagonista, que n\u00e3o tem seu nome revelado, \u00e9 um Stalker. Ele \u00e9 contratado por dois homens, o \u201cEscritor\u201d e o \u201cProfessor\u201d. O escritor tem a inten\u00e7\u00e3o de, ao chegar na Sala, pedir para que n\u00e3o sofra mais com bloqueios criativos. J\u00e1 o professor tem a inten\u00e7\u00e3o de, ao chegar na Sala, rogar pelo Pr\u00eamio Nobel.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">Stalker \u00e9 um filme que fala sobre a profundidade do ser humano e sobre a cren\u00e7a. At\u00e9 onde algu\u00e9m iria para poder realizar seus desejos? Se o desejo realizado \u00e9 o mais profundo, quem se conhece o suficiente para ter a confian\u00e7a de entrar na Sala?<\/p>\n\n\n\n<p class=\"has-text-align-justify\">O protagonista, por conhecer a for\u00e7a m\u00edstica ao redor da Zona e da Sala, se sente como um deus, j\u00e1 que \u00e9 o \u00fanico que possui algum tipo de \u201cpoder\u201d por l\u00e1. Esse poder faz com que ele dedique sua vida a esse misticismo. Ao entrar em conflito com os outros dois personagens, o Stalker fica perdido e frustrado, desacreditado da humanidade, sem entender o motivo de n\u00e3o existir mais f\u00e9 e espiritualidade nas pessoas. Essa complexidade ao redor dos personagens \u00e9 o ponto principal do filme. Vale a pena deixar sua vida para tr\u00e1s para deixar sua vida nas m\u00e3os de algo maior?<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>A linguagem cinematogr\u00e1fica em Stalker<\/strong><\/h4>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"273\" src=\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2022\/12\/vsd.png\" alt=\"\" class=\"wp-image-4941\" srcset=\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2022\/12\/vsd.png 512w, https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2022\/12\/vsd-300x160.png 300w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-justify\">Assim como em toda a filmografia de Tarkovsky, sua linguagem \u00e9 extremamente presente ao se tratar do tempo. Com poucos cortes e longos planos, Tarkovsky cria uma atmosfera densa que prende a aten\u00e7\u00e3o do telespectador.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">A fotografia cria a ilus\u00e3o de estarmos pr\u00f3ximos dos personagens ao mesmo tempo em que nos sentimos distantes dos mesmos. Fora da Zona, o mundo \u00e9 sem cor, sem vida, s\u00e9pia. Dentro, enxergamos cores: h\u00e1 uma atmosfera l\u00fadica que a Zona nos traz.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">Quando os personagens n\u00e3o t\u00eam seus nomes revelados, s\u00e3o distanciados dos espectadores, estimulando uma desconfian\u00e7a perfeita para a trama.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">Com tudo isso, Tarkovsky cria uma obra cinematogr\u00e1fica extremamente importante para o cinema. Sua ideia de montagem e manipula\u00e7\u00e3o do tempo era extremamente revolucion\u00e1ria.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lan\u00e7ado em 1979, Stalker, inspirado no livro Roadside Picnic, apresenta-nos a um futuro \u201cp\u00f3s-apocal\u00edptico\u201d, ambientado em uma cidade pequena aparentemente paralisada no tempo em termos de economia, natureza, sa\u00fade e espiritualidade.<\/p>\n","protected":false},"author":16,"featured_media":4940,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4],"tags":[12,22,30,41,323,324],"class_list":["post-4939","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ccm","category-ensaios","tag-analise-cinematografica","tag-cinema","tag-critica-midiatica","tag-ensaios","tag-stalker","tag-tarkovsky"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica filme Stalker: Tarkovsky e sua Linguagem Cinematogr\u00e1fica - 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