{"id":3546,"date":"2021-05-19T11:11:55","date_gmt":"2021-05-19T14:11:55","guid":{"rendered":"https:\/\/blogfca.pucminas.br\/ccm\/?p=3546"},"modified":"2023-04-04T16:31:20","modified_gmt":"2023-04-04T19:31:20","slug":"o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura","status":"publish","type":"post","link":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/","title":{"rendered":"O roteiro como fagulha: o audiovisual brasileiro por George Moura"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"938\" height=\"486\" src=\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george.jpg\" alt=\"\" class=\"wp-image-3548\" srcset=\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george.jpg 938w, https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george-300x155.jpg 300w, https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george-768x398.jpg 768w\" sizes=\"auto, (max-width: 938px) 100vw, 938px\" \/><figcaption>O professor Pedro Vaz Perez e o roteirista George Moura durante a realiza\u00e7\u00e3o da palestra<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-justify\">Ferreira Gullar, Jo\u00e3o Cabral de Melo Neto, Andrei Tarkovski e Glauber Rocha, al\u00e9m de outros tantos escritores, poetas e cineastas s\u00e3o algumas das grandes refer\u00eancias do roteirista George Moura, que ministrou a <a href=\"https:\/\/www.youtube.com\/watch?v=k41N2MVO_8I\" class=\"ek-link\">palestra<\/a> virtual <strong>A constru\u00e7\u00e3o do di\u00e1logo e a necessidade do sil\u00eancio<\/strong> no dia 18 de maio. O evento integra as comemora\u00e7\u00f5es dos 50 anos da Faculdade de Comunica\u00e7\u00e3o e Artes da PUC Minas. A atividade foi idealizada e produzida pelo Centro de Cr\u00edtica da M\u00eddia (CCM) e mediada por Pedro Vaz Perez, professor nos cursos de Cinema e Jornalismo.\u00a0<\/p>\n\n\n\n<p class=\"has-text-align-justify\">Autor de grandes sucessos \u2013 dentre eles <em>O Canto da Sereia<\/em> (2013), <em>Amores Roubados<\/em> (2014), <em>Get\u00falio<\/em> (2014), <em>Onde Nascem os Fortes<\/em> (2018) e <em>O Grande Circo M\u00edstico<\/em> (2018) \u2013, George Moura \u00e9 um dos mais proeminentes nomes da teledramaturgia contempor\u00e2nea. Ao longo do evento, compartilhou experi\u00eancias pessoais, detalhou processos de cria\u00e7\u00e3o e discutiu, entre outros temas, o papel do sil\u00eancio na constru\u00e7\u00e3o de di\u00e1logos dentro das narrativas audiovisuais \u2013 destacando as diferen\u00e7as entre produ\u00e7\u00f5es para o cinema e para a televis\u00e3o. Pontuou, ainda, que o roteiro nunca \u00e9 uma obra pronta. Trata-se de uma produ\u00e7\u00e3o que instiga, como fagulha, o caminho para a realiza\u00e7\u00e3o de um filme. Afinal, no audiovisual a arte sempre \u00e9 coletiva. Al\u00e9m disso, respondeu com simpatia e bom-humor indaga\u00e7\u00f5es do p\u00fablico, composto por alunos e professores dos cursos de Comunica\u00e7\u00e3o da PUC Minas.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-justify\">George \u00e9 graduado em Jornalismo pela PUC Campinas e tem mestrado em Artes C\u00eanicas pela USP. Come\u00e7ou na teledramaturgia como assistente de dire\u00e7\u00e3o, em 1996, a convite do diretor Luiz Fernando Carvalho. Durante a palestra, inclusive, relatou de forma irreverente como se deu tal encontro, que mudou definitivamente os rumos de sua trajet\u00f3ria. A partir de ent\u00e3o, n\u00e3o parou mais. O reconhecimento veio, entre outros acontecimentos, atrav\u00e9s de seis indica\u00e7\u00f5es consecutivas ao <em>International Emmy Awards<\/em>.\u00a0\u00a0<\/p>\n\n\n\n<p class=\"has-text-align-justify\">A palestra est\u00e1 dispon\u00edvel, na \u00edntegra, no <a href=\"https:\/\/www.youtube.com\/channel\/UCx0YO57ZKs0jQ0wa4BrzIZg\" class=\"ek-link\">canal<\/a> da FCA no YouTube e \u00e9 indicada \u00e0 todos que se interessam por TV e cinema; \u00e0queles que, por ventura, almejam se enveredar pelos caminhos do roteiro; e, n\u00e3o menos importante, aos que prezam pelo audiovisual nacional, tratado como convidado de honra por um genu\u00edno contador de hist\u00f3rias.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ferreira Gullar, Jo\u00e3o Cabral de Melo Neto, Andrei Tarkovski e Glauber Rocha, al\u00e9m de outros tantos escritores, poetas e cineastas s\u00e3o algumas das grandes refer\u00eancias do roteirista George Moura, que ministrou a palestra virtual A constru\u00e7\u00e3o do di\u00e1logo e a necessidade do sil\u00eancio no dia 18 de maio. O evento integra as comemora\u00e7\u00f5es dos 50&hellip;<\/p>\n","protected":false},"author":16,"featured_media":3548,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[15,83,216],"class_list":["post-3546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","tag-audiovisual","tag-palestra","tag-roteirista"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>O roteiro como fagulha: o audiovisual brasileiro por George Moura - Centro de Cr\u00edtica Da M\u00eddia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"O roteiro como fagulha: o audiovisual brasileiro por George Moura - Centro de Cr\u00edtica Da M\u00eddia\" \/>\n<meta property=\"og:description\" content=\"Ferreira Gullar, Jo\u00e3o Cabral de Melo Neto, Andrei Tarkovski e Glauber Rocha, al\u00e9m de outros tantos escritores, poetas e cineastas s\u00e3o algumas das grandes refer\u00eancias do roteirista George Moura, que ministrou a palestra virtual A constru\u00e7\u00e3o do di\u00e1logo e a necessidade do sil\u00eancio no dia 18 de maio. O evento integra as comemora\u00e7\u00f5es dos 50&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/\" \/>\n<meta property=\"og:site_name\" content=\"Centro de Cr\u00edtica Da M\u00eddia\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ccmpucminas\/?ref=settings\" \/>\n<meta property=\"article:published_time\" content=\"2021-05-19T14:11:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-04-04T19:31:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"938\" \/>\n\t<meta property=\"og:image:height\" content=\"486\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Monitor\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@ccmpucminas\" \/>\n<meta name=\"twitter:site\" content=\"@ccmpucminas\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Monitor\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/\"},\"author\":{\"name\":\"Monitor\",\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/#\/schema\/person\/96a5785fe6222ab41614e6c7d6fd8c0e\"},\"headline\":\"O roteiro como fagulha: o audiovisual brasileiro por George Moura\",\"datePublished\":\"2021-05-19T14:11:55+00:00\",\"dateModified\":\"2023-04-04T19:31:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/\"},\"wordCount\":409,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/#organization\"},\"image\":{\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george.jpg\",\"keywords\":[\"Audiovisual\",\"palestra\",\"Roteirista\"],\"articleSection\":[\"Not\u00edcias\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/\",\"url\":\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/\",\"name\":\"O roteiro como fagulha: o audiovisual brasileiro por George Moura - Centro de Cr\u00edtica Da M\u00eddia\",\"isPartOf\":{\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george.jpg\",\"datePublished\":\"2021-05-19T14:11:55+00:00\",\"dateModified\":\"2023-04-04T19:31:20+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#primaryimage\",\"url\":\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george.jpg\",\"contentUrl\":\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george.jpg\",\"width\":938,\"height\":486},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/blogfca.pucminas.br\/ccm\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"O roteiro como fagulha: o audiovisual brasileiro por George Moura\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/#website\",\"url\":\"https:\/\/blogfca.pucminas.br\/ccm\/\",\"name\":\"Centro de Cr\u00edtica da M\u00eddia\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/blogfca.pucminas.br\/ccm\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/#organization\",\"name\":\"Centro de Cirtica da M\u00eddia\",\"url\":\"https:\/\/blogfca.pucminas.br\/ccm\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2016\/11\/logo-ccm-preto.png\",\"contentUrl\":\"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2016\/11\/logo-ccm-preto.png\",\"width\":1191,\"height\":842,\"caption\":\"Centro de Cirtica da M\u00eddia\"},\"image\":{\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/ccmpucminas\/?ref=settings\",\"https:\/\/x.com\/ccmpucminas\",\"https:\/\/www.instagram.com\/ccmpucminas\/?hl=pt-br\",\"https:\/\/www.youtube.com\/channel\/UCpKbhzfoQXgXVhkWlxSuW2w\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/blogfca.pucminas.br\/ccm\/#\/schema\/person\/96a5785fe6222ab41614e6c7d6fd8c0e\",\"name\":\"Monitor\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/secure.gravatar.com\/avatar\/322bb6b3650f9fb6d80483e763f0e983b000ecf4dcd7d91ea2b9a58b7d6af889?s=96&d=mm&r=g\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/322bb6b3650f9fb6d80483e763f0e983b000ecf4dcd7d91ea2b9a58b7d6af889?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/322bb6b3650f9fb6d80483e763f0e983b000ecf4dcd7d91ea2b9a58b7d6af889?s=96&d=mm&r=g\",\"caption\":\"Monitor\"},\"url\":\"https:\/\/blogfca.pucminas.br\/ccm\/author\/monitor\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"O roteiro como fagulha: o audiovisual brasileiro por George Moura - Centro de Cr\u00edtica Da M\u00eddia","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/","og_locale":"pt_BR","og_type":"article","og_title":"O roteiro como fagulha: o audiovisual brasileiro por George Moura - Centro de Cr\u00edtica Da M\u00eddia","og_description":"Ferreira Gullar, Jo\u00e3o Cabral de Melo Neto, Andrei Tarkovski e Glauber Rocha, al\u00e9m de outros tantos escritores, poetas e cineastas s\u00e3o algumas das grandes refer\u00eancias do roteirista George Moura, que ministrou a palestra virtual A constru\u00e7\u00e3o do di\u00e1logo e a necessidade do sil\u00eancio no dia 18 de maio. O evento integra as comemora\u00e7\u00f5es dos 50&hellip;","og_url":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/","og_site_name":"Centro de Cr\u00edtica Da M\u00eddia","article_publisher":"https:\/\/www.facebook.com\/ccmpucminas\/?ref=settings","article_published_time":"2021-05-19T14:11:55+00:00","article_modified_time":"2023-04-04T19:31:20+00:00","og_image":[{"width":938,"height":486,"url":"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george.jpg","type":"image\/jpeg"}],"author":"Monitor","twitter_card":"summary_large_image","twitter_creator":"@ccmpucminas","twitter_site":"@ccmpucminas","twitter_misc":{"Escrito por":"Monitor","Est. tempo de leitura":"2 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#article","isPartOf":{"@id":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/"},"author":{"name":"Monitor","@id":"https:\/\/blogfca.pucminas.br\/ccm\/#\/schema\/person\/96a5785fe6222ab41614e6c7d6fd8c0e"},"headline":"O roteiro como fagulha: o audiovisual brasileiro por George Moura","datePublished":"2021-05-19T14:11:55+00:00","dateModified":"2023-04-04T19:31:20+00:00","mainEntityOfPage":{"@id":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/"},"wordCount":409,"commentCount":0,"publisher":{"@id":"https:\/\/blogfca.pucminas.br\/ccm\/#organization"},"image":{"@id":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#primaryimage"},"thumbnailUrl":"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george.jpg","keywords":["Audiovisual","palestra","Roteirista"],"articleSection":["Not\u00edcias"],"inLanguage":"pt-BR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/","url":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/","name":"O roteiro como fagulha: o audiovisual brasileiro por George Moura - Centro de Cr\u00edtica Da M\u00eddia","isPartOf":{"@id":"https:\/\/blogfca.pucminas.br\/ccm\/#website"},"primaryImageOfPage":{"@id":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#primaryimage"},"image":{"@id":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#primaryimage"},"thumbnailUrl":"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george.jpg","datePublished":"2021-05-19T14:11:55+00:00","dateModified":"2023-04-04T19:31:20+00:00","breadcrumb":{"@id":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/"]}]},{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#primaryimage","url":"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george.jpg","contentUrl":"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2021\/05\/george.jpg","width":938,"height":486},{"@type":"BreadcrumbList","@id":"https:\/\/blogfca.pucminas.br\/ccm\/o-roteiro-como-fagulha-o-audiovisual-brasileiro-por-george-moura\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/blogfca.pucminas.br\/ccm\/"},{"@type":"ListItem","position":2,"name":"O roteiro como fagulha: o audiovisual brasileiro por George Moura"}]},{"@type":"WebSite","@id":"https:\/\/blogfca.pucminas.br\/ccm\/#website","url":"https:\/\/blogfca.pucminas.br\/ccm\/","name":"Centro de Cr\u00edtica da M\u00eddia","description":"","publisher":{"@id":"https:\/\/blogfca.pucminas.br\/ccm\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/blogfca.pucminas.br\/ccm\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pt-BR"},{"@type":"Organization","@id":"https:\/\/blogfca.pucminas.br\/ccm\/#organization","name":"Centro de Cirtica da M\u00eddia","url":"https:\/\/blogfca.pucminas.br\/ccm\/","logo":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/blogfca.pucminas.br\/ccm\/#\/schema\/logo\/image\/","url":"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2016\/11\/logo-ccm-preto.png","contentUrl":"https:\/\/blogfca.pucminas.br\/ccm\/wp-content\/uploads\/2016\/11\/logo-ccm-preto.png","width":1191,"height":842,"caption":"Centro de Cirtica da M\u00eddia"},"image":{"@id":"https:\/\/blogfca.pucminas.br\/ccm\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ccmpucminas\/?ref=settings","https:\/\/x.com\/ccmpucminas","https:\/\/www.instagram.com\/ccmpucminas\/?hl=pt-br","https:\/\/www.youtube.com\/channel\/UCpKbhzfoQXgXVhkWlxSuW2w"]},{"@type":"Person","@id":"https:\/\/blogfca.pucminas.br\/ccm\/#\/schema\/person\/96a5785fe6222ab41614e6c7d6fd8c0e","name":"Monitor","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/secure.gravatar.com\/avatar\/322bb6b3650f9fb6d80483e763f0e983b000ecf4dcd7d91ea2b9a58b7d6af889?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/322bb6b3650f9fb6d80483e763f0e983b000ecf4dcd7d91ea2b9a58b7d6af889?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/322bb6b3650f9fb6d80483e763f0e983b000ecf4dcd7d91ea2b9a58b7d6af889?s=96&d=mm&r=g","caption":"Monitor"},"url":"https:\/\/blogfca.pucminas.br\/ccm\/author\/monitor\/"}]}},"_links":{"self":[{"href":"https:\/\/blogfca.pucminas.br\/ccm\/wp-json\/wp\/v2\/posts\/3546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogfca.pucminas.br\/ccm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogfca.pucminas.br\/ccm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogfca.pucminas.br\/ccm\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/blogfca.pucminas.br\/ccm\/wp-json\/wp\/v2\/comments?post=3546"}],"version-history":[{"count":4,"href":"https:\/\/blogfca.pucminas.br\/ccm\/wp-json\/wp\/v2\/posts\/3546\/revisions"}],"predecessor-version":[{"id":3551,"href":"https:\/\/blogfca.pucminas.br\/ccm\/wp-json\/wp\/v2\/posts\/3546\/revisions\/3551"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogfca.pucminas.br\/ccm\/wp-json\/wp\/v2\/media\/3548"}],"wp:attachment":[{"href":"https:\/\/blogfca.pucminas.br\/ccm\/wp-json\/wp\/v2\/media?parent=3546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogfca.pucminas.br\/ccm\/wp-json\/wp\/v2\/categories?post=3546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogfca.pucminas.br\/ccm\/wp-json\/wp\/v2\/tags?post=3546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}